The Color Purple – a worked essay example
In what ways could The Color Purple be described as a womanist novel?
You are being assessed on your writing skills, therefore your essay must be well structured and include an introduction and a conclusion. Below are a selection of points that could be included to address the essay question, with some good examples from work which shows how you can include metaphorical and narrative features.
- Womanism worked out
- Aspects of plot
- Womanist themes and imagery
- Definition of womanism
- African-American patriarchal values and traditional gender roles
- Celie’s development towards a womanist view of life.
‘Celie is robbed of her innocence and childhood, abused by her stepfather and her husband and forced to serve and obey men, whatever demands they make upon her. Consequently, her confidence and self-respect are eroded to such an extent that she cannot allow herself to experience any emotions that take her energy away from simply surviving from one day to the next. From the outset of the novel, she seeks refuge from her male oppressors in the company of women, first with her sister Nettie, then her stepson’s wife, Sofia and finally with her husband’s mistress, the blues singer Shug Avery.’
2. Womanism worked out
Moral, social, political and religious contexts could be included such as:
- Religious attitudes/rules, church leadership and attitudes towards women
- Male/female perceptions of God
- ‘Bad girl’ / ‘good girl’ conflict: Shug Avery as ‘bad’ girl / Sofia as ‘fighter’ / Celie as victim then emancipated/freed
- Concept of ‘sisterhood’ / female solidarity
- Male/female physical and sexual expectations/attitudes
- Independence/becoming an entrepreneur.
3. Aspects of plot
- Rape and abuse by Pa, loss of children, arranged marriage to Albert (Mr__)
- Harpo and Sofia, Sofia beaten, Celie’s remorse, friendship with Sofia
- Shug Avery’s photograph / Celie’s attraction to Shug / ‘Miss Celie’s Song’ / Shug and Celie’s relationship / Celie’s defiance of Albert / the move to Memphis / Folkspants Unlimited / reunions and reconciliations.
‘Celie cannot even call her husband by any other name than ‘Mr__’. Physically Celie imagines herself to be a tree when she is beaten or sexually used by her husband and sees her life to be one of pleasing others rather than herself. Heaven, she believes, will last always, while life on earth will ‘soon be over.’ Sofia’s strength and their developing friendship helps Celie to see that a woman can stand up for herself but it is Shug Avery’s dedication of ‘Miss Celie’s Song’ that marks the beginning of Celie’s realisation that she exists and that her existence has value.’
4. Womanist themes and imagery
- Religious understanding
- Natural imagery.
Examples of thematic commentary
‘Shug helps Celie to discover her sexuality, first by encouraging her to look at her own genitals and then by encouraging Celie to appreciate the pleasure of erotic stimulation. Celie is a willing and eager pupil and the sexual relationship that later develops between Shug and Celie is based on mutual trust and respect. The relationship also enables Celie to rediscover her ability to love. The sexual/non-sexual love between Shug and Celie is also a ‘womanist’ attribute.’
‘Shug’s spirituality and her understanding of the nature of God enables Celie to discover that God exists in every part of the natural world and that love, both given and received, enables mankind to break free from traditional notions of what is male and what is female. Shug introduces Celie to the idea of panentheism, which allows Celie to free herself from the traditional concept of God as a white male. Shug’s God is neither male nor female, but a spiritual force that exists within all people. Again, this links to Walker’s concept of ‘womanism’.’
‘Celie’s visit to her stepfather’s house at Easter, after beginning her love affair with Shug and designing the trousers that allow her to move and work more freely, is a pivotal moment in the novel. The description of the house and its setting, surrounded by flowers and trees, makes it seem like a kind of Eden. Although Celie cannot imagine her past life in this beautiful place, she dares at this point to place herself in a context and significantly describes the visit in a letter that is addressed not to God, but to her sister Nettie, whom she now knows is alive.’
‘The Color Purple is the story of the growth and development of the central character from an uneducated, abused teenager to an accomplished woman who learns, with the help of a strong and supportive female sisterhood, to stand up for herself and cope with hostile surroundings. By the end of the novel, Celie is a mature adult in charge of a business, a house and her own life. She has acquired a deeper awareness of spirituality and a wider understanding of the nature of God and most importantly she loves and is loved in return. Celie’s story exemplifies the womanist agenda which centres around the natural order of life, family and a complementary relationship between men and women which is all-inclusive and universal.’
Character Analysis of Celie, the Color Purple Essay
2690 WordsFeb 16th, 201311 Pages
Being a black female in the south during the early 1900’s, at a time when white and blacks were socially segregated and women were absolutely inferior to men, was one of the many challenges Celie would be faced with in her lifetime. Born in 1895, Celie was raised on a farm in a small town in Georgia where formal education took a back seat to physical labor and household maintenance, and the Church was the main focal point of socialization among local town members.
We are first introduced to Celie in 1909, when she is 14 years old, running and frolicking through the fields with her sister Nettie, then giving birth to her second child by her step-father. Soon after the newborn was taken out of her arms, an emotionless and…show more content…
The mailbox becomes a symbol of hope for years to come. As the jingle of the bells echo in the distance excitement escalates with the hope of a letter from Nettie, indicating that she is alive, as death would be the only thing to keep her from writing to Celie.
Shug arrives in the summer 1916 and Celie’s first real love is born. Mister’s name, Albert, is discovered during Shug’s first day at the farm. Celie watches Albert, with child-like amusement and curiosity, as he fumbles through trying to impress Shug by making her breakfast. In an effort to win over Shug, who previously declared Celie as “ugly,” she prepares an award winning breakfast that even Shug couldn’t turn away. Over time, a relationship begins to form between Shug and Celie, leading Shug to write and sing a song dedicated to her at the jook joint, filling Celie with an unknown type approval and love. Celie shows us that her capacity to love and to be loved is blooming during the scene of her first kiss with Shug.
Thrown into young adulthood at the early age of 14, at 21 years old Celie now begins the true process of developing intimacy with an unlikely character for the time. A long lasting friendship and mutual love affair between Celie and Shug has begun, and will later prove to be her saving grace as her confidence, identity, purpose, and will increase. Shug plans to leave